39 posts tagged with "wap"

Week 30! It feels like a small number when compared to all numbers, but it’s pretty good when compared to 52. And there are still a few more weeks to go in the year. I’m starting to try to figure out how I want to approach art practice next year now. I don’t think I want to keep doing WAP guided practice, I feel like I should get out of the comfort zone and try to move into working on complete pieces. Or another idea is to do more Master Studies.

Having weekly homework has been great for having something to work on every day but it’s also been a fair bit of pressure to get through the practice every week and get a blog post out for each one. But we’ll see, I have no idea what 2025 is going to look like yet so don’t want to make any big commitments.

Day 1 - Drawing from imagination​

So I actually had two pet sugar gliders from about the age of 14 to 21, so you’d think I’d have a pretty decent mental model of what they look like. But it has been more than 12 years since I’ve been around one…

An anatomy week with an extra complication, horses. My goal for the week wasn’t to learn to draw horses, a famously difficult creature to master. But more to focus on the shape human bodies take while riding.

Day 1 - Drawing from imagination​

This week's raccoon theme gets me close to wrapping up “city creatures”. Though I guess I’ve skipped rats and mice but that’s more because my wife is afraid of them and also I don’t want to think about mice when I don’t have too.

Day 1 - Drawing from imagination​

Day 1, a little messy as always. The big thing being I couldn’t remember what raccoon face patterns look like. And there body shape came out much too similar to cats.

This week's study theme was inspired from the One Week Character challenge I did a few months ago. The instructure spent a decent amount of time talking about material painting and using it to livin up your character's look. I struggled with the focus on metal as I didn’t feel like I had enough time in the 1 day devoted to materials to really learn, and instead just ended up trying to fake it. But after that I added Material Studies to my list of upcoming WAPs, and now we finally got there.

I started by gathering up material step-by-step guides I could find on Pinterest. The most common ones are gold and metal, but the metadata on these things isn’t great so it was hard to keep searching for more, broader themes. Out of the ones I found I choose 5 that feel like decent beginner materials, by which I probably mean most common. I also choose ones that had the most understandable guides, preferring ones that also had text that explained the steps.

Day 1 - Wood​

I find wood rather intimidating to paint, I suspect others do too as it’s very easy to find a brush to do the effect. It’s my go-to move for Altar Stone videos or other backgrounds where I need to do a large piece of wood because the idea of drawing all the needed lines is exhausting. But that’s what we did on day 1.

I’m very happy with how this went, even though I did get lost in the steps for a while. The instructions could be more clear. I didn’t add as many scratches but that was mostly because I felt like the ones I did do were enough to learn what was going on. This piece also came together rather quickly which was a nice discovery, making the idea of doing hand drawn wood objects in the future less daunting.

Wood tutorial by Gimaldinov. I found this version of the tutorial while putting the blog post together and now I see that there were more steps! I didn’t know about the last few!

This week is another fictional creature week. Started off pretty rough but came up with a good practice approach for a creature that doesn’t exist.

Day 1 - Drawing from imagination​

Day 1 was rough. I’m not really sure if I should put more time into the day one task as it doesn’t feel like I’m set up to learn anything yet. But it makes the jump in progress also feel a little fake as I know I can do better than what I draw on day 1 sometimes.

When I added this theme to my list, I didn’t realise it was going to coincide with the olympics. Thought there would be some good photography of bodies in motion with gymnasts as a theme. I hadn’t meant to be so narrow but ended up only using references of people on the bars. Then when I got deeper into it I thought there would be some more unique poses, but people seem to love the shot of a person looking long.

Day 1 - Drawing from imagination​

When I started the week I thought I’d find more references where people would be simply hanging from the bar. Maybe warming up? Well I saw none.

This week was a return to creatures, with the common house sparrow as our subject. I also attended an animation course last weekend so I’ll share some stuff from that, and I’ve been working on a new Altar Stone video which was more technically demanding than art demanding for the last few weeks.

Day 1 - Drawing from imagination​

While I chose sparrows to continue on the most common animals in Montreal, it turns out I can only imagine them as basic small birds when not using a reference.

I’m a blog post behind in WAPs so I'm going to cover the last two weeks in one.

The first week was an attempt at drawing myself. I’ve wanted a self drawn avatar to use online my whole online life but I’ve never managed to draw one I’m happy enough with. And spoiler I still haven’t.

The week after was skulls, which was a theme that was probably too broad. Lots of skull are very different from one another, so choosing something like Human Skulls probably would have given the week more focus.

Day 1 - Myself​

A few attempts at drawing myself without looking at myself.

Starting already a step behind one that I did earlier this year which I don't love.

I didn’t complete my WAP exercises last week. It’s my first time not getting through all 5 exercises but it was an anatomy week which often feel a little weird on the last two days. I hadn’t even found any stylistic waltz references to use for day 4.

But it’s not a lack of references that kept me away. I had a piece that, initially, was going to be rather simple but had turned into one of my most ambitious pieces yet (will share progress later in this post). One of the reasons I have such a structured practice schedule is that I haven’t had many ideas for projects and these focused weeks help me to keep practising and creating even when my head is empty. So the idea that I’m so taken with a new piece feels like my creativity is starting to stir again (it only took 1.5 years). So I’m pretty happy to put weekly practice to the side if it means completing a full piece that I’m excited about.

Besides the new piece getting most of my creative attention, I’ve been dealing with some pretty back upper back/neck pain. So while I want to spend multiple hours a day working on art I’m having to take many breaks and also just limit the amount of time I spend with my head bent in hopes of not making the pain worse. And don’t even get me started on how the current heat wave is completely sapping all my energy.

Day 1 - Drawing from imagination​

One of the reasons I chose waltz as a reference is that it’s a fairly structured dance, almost stiff as dances go. But I also wanted to get into practising pieces with multiple characters where they are touching. Along with the challenge of having most of the pose hidden by a dress. Day 1 poses were rather simple from my brain.

Took a bit of an art break over the last two weeks while getting married. Still did some work on an Altar Stone animation and also drew my Elden Ring character as we’re deep into the DLC.

This week kicked off more focused practice time and I’m returning with: 1 - Focusing on a single piece for a week 2 - A childhood re-draw

Day 1 - Pose​

Here’s the original piece I started with.

I can’t remember any of the context for the design or composition. All I know is that this was done in pencil crayon and was likely one of my main pieces for art class when I was 17. So big into my Always Online internet years.

I’m following the workflow that was covered in the One Week Character program, so day 1 was mostly gathering reference, choosing a pose and getting the composition down.